Pre-Professional Study with the Madison Ballet Takes Heart and Commitment

By Jill Swenby
This year they will perform the Nutcracker, Peter
Pan, a spring ballet concert, and a performance for families. In addition, they
practice 10 hours on weekdays and 5-10 hours on weekends. If it sounds like a professional
dance schedule, then Madison Ballet is doing something right.
The Pre-Professional program at the Madison School of Ballet http://www.madisonballet.org/
has a simple goal: to prepare young dancers for a professional career in
dance.
With extensive rehearsals and professional
performances at the Overture Center for the Arts http://www.overturecenter.com/, the
Pre-Professional program is a real time commitment. Many dancers that enter it
are in their late teens, some early twenties. Although the Madison Ballet
encourages students to take day classes, they have designed the program so that
it is easy for dancers to come after school.
Gretchen Bourg, a faculty member and school
registrar at MB, points out that the pre-professional program has a “very solid
ballet core.” The required classes for dancers in this division include 5
technique classes, pointe, variations, modern and pilates/core classes.
In essence, the program is designed to be the
closest experience to a professional dance career that young aspiring dancers
can have. In the end, Gretchen notes, some decide not to go on to professional
careers.
“It’s not for everyone,” says Gretchen, “Dance can
be a fantastic lifelong recreational experience. It’s a difficult career.”
Because of its difficult nature, Gretchen believes
it is imperative that the dancer really be committed to the program. It is not
beneficial if the parent wants the child to dance, but the child is not
interested. Madison Ballet allows prospective dancers to come in and experience
some of the program before they commit to it.
In its first year having a professional dance
company, Madison Ballet has become an even greater opportunity for prospective
dance professionals. Rather than having to send teenagers to New York to get a professional
experience, they can meet and work with professional dancers in Madison, Wisconsin. Not only do they get some
exposure, but they also have the opportunity to audition for the company once
they’ve completed their training.
Getting into this division is the same as getting
into a show; students must audition. Gretchen says that with the audition process
they are looking for technical ability, commitment, and physical aptitude.
Ultimately, Artistic Director W. Earle Smith makes the final say on which
dancers make the cut.
Mr. Smith has more than two decades of dance
experience, and he’s taught numerous workshops and master classes on the
Balanchine style. Along with Mr. Smith, Gretchen says that the teachers at
Madison Ballet come from a wide range of backgrounds. Some are classical
ballerinas, while others have a strong background in modern dance.
Besides the varying teaching styles, the
Pre-Professional division also goes to master classes and nutrition classes.
“We’re doing what we can to make their experience
well-rounded,” says Gretchen.
For more information on the Madison Ballet Pre-Professional
Division visit http://www.madisonballet.org/
or call (608) 663-8956.